Stepping into William Lim’s studio in Wong Chuk Hang is like entering an alternate universe. As the heavy metal door opens, I’m immediately greeted with a white neon sign mounted on transparent acrylic that reads “Hong Kong Is Our Museum” and to my left a taxidermy hen is placed precariously on the floor. Turning the corner, a man of slight frame with black-rim glasses dressed in a crisp white shirt greets me. Lim shows me around his studio, a treasure trove filled with works by local artists Lee Kit, Nadim Abbas, Tang Kwok-hin, and South Ho. After a quick lap of the space, we settle on a sofa to chat about how his collection came about, his recently released book The No Colors and how he feels Hong Kong art has changed over the years. READ More >